EYE OF THE
BEHOLDER
Stephan Elliot (1999)
Eye of the Beholder,
directed by Stephan Elliot, is a film which explores the
obsession of a private eye who falls in love with the
murderer he is investigating. Eye of the Beholder
focuses on the visual representations of the protagonist's
state of mind as he progressively becomes attached, both
psychologically and emotionally, to his dangerous but
beautiful subject.
A lonely British intelligence
agent, "The Eye" (Ewan McGregor) is haunted by the loss of
his daughter. In what seems to promise a distraction away
from his solitude, The Eye's current mission to track down
Joanna Eris (Ashley Judd), suspected of blackmailing the son
of a British official, redefines, rather, his role as
voyeur. After he unexpectedly witnesses the suspect's first
cold-blooded murder, The Eye becomes increasingly involved.
Every evidence she leaves behind, he collects; everywhere
she goes, he follows. The availability of hi-tech tools and
his carefully measured proximity to the well-disguised
criminal offers The Eye the privileged position of observer.
However, in spite of the cautioning by a worried coworker
(k. d. Lang), The Eye loses sight of the dangers: his
initial sense of horror dissolves and his long-repressed
paternalistic instincts absorb him
wholeheartedly.
Eye of the Beholder attempts
to interweave the psychosis of its two main characters by
establishing the causes of their anguish. While The Eye
struggles with the guilt that came with losing a wife and
daughter, Joanna is blinded by the fears that originated
long ago, when she was abandoned by her father. However,
although Eye of the Beholder successfully establishes
its characters' actions (killing and pursuing the killer),
the film fails to fully develop the premise that both
characters complement each other. Furthermore, in spite of
the careful visualization of the mechanics of these
characters' worlds, Eye of the Beholder does little
to convincingly support the subjects' reasons for inhabiting
them.
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