TITUS
Julie Taymor (1999)
Titus, which marks the
directorial debut of Julie Taymor (better known for her Tony
Award winning Broadway version of "The Lion King"), is a
film based on Shakespeare's earliest play, "Titus
Andronicus". Having had success with her staged version of
the play in 1995 in New York, Taymor states during an
interview that the play's treatment of the elements of
drama, violence and dark comedy offers modern spectators an
intriguing portrayal of the poetics of tragedy, now via the
filmic medium.
Titus centers on the Roman
general, Titus Andronicus (Anthony Hopkins), who
ceremoniously concludes a victory against the Goths. He
imprisons the Goth Queen, Tamora (Jessica Lange) and her two
sons Chiron and Demetrius (Jonathan Rhys Meyers and Matthew
Rhys), and sacrifices her third and eldest son, in spite of
her desperate plea for mercy. Titus' position of power,
however, is suddenly jeopardized when the corruptible
Saturninus (Alan Cumming) becomes emperor and unexpectedly
empowers a vengeful Tamora. All battles transcend political
motivation and Titus soon learns that his targeted sons and
daughter Lavinia (Laura Fraser) provide fertile grounds upon
which will flourish the most horrid spectacles of human
savagery.
To complement the powers of such a
terrifying tale of violence, Titus constructs
unforgettable images, often of a surreal and shocking
nature, which successfully enhance the poetics of their
tragic essence. The production design (or overall visual
appearance of the film) is the work of Dante Ferretti
(Kundun); the characters are clothed by costume
designer Milena Canonero (A Clockwork Orange); and
the seamless flow from scene to scene is indebted to the
subtlety of editor Francoise Bonnot (Z, Missing, Mad
City). Modern images and sets (of Saturninus driving up
in a limousine and of Mussolini's government center, or
"square coliseum", for example) are juxtaposed against the
original setting of the play. This offers a bold metaphoric
representation of the ancient Roman empire as a fascist
regime (or more intriguingly, vice-versa). Unfortunately,
the failure to integrate these images and sets into the
story prevents them from finding a more promising purpose,
and instead, they simply deviate the natural narration of
the events.
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